Installation Development : Final Major Project
MA in Photography, Falmouth University, Module 5
In developing an approach and advancing my previous notes on zine production. I have started an online conversation with a friend and peer who has a strong graphic skill, Rebecca Foster, to exchange things we both find inspiration using Pinterest as a sample board, fig 1, derived from the wider options, fig 2. It is becoming a form of a visual or conceptual editing process.
From this stimulating visual distillation I have today written this as a series of objectives for the zine, thus;
The first in a run of more
Have a materiality that aligns with building making and destructing
There could be a recycling of material theme
The media should definitely be mixed
Tactile delight should be at the fore
Can have a hand-crafted element – though not essential
Needs to be intellectually grounded
Have a richness in a minimal format
Run narrative with visual
I may create a hierarchy of ‘brand’ using the Fermata
musical symbol, underlined by the headline Pause Project, then entitle the installation ‘Birmingham Dust’.
The latter derived from the Christopher Beanland quote regarding Birmingham
“Buildings bear witness to the tiny dramas that make us human. If we turn concrete to dust, where do those memories go?”
and the nature of the paused spaces I capture – they gather dust and become dust.
MA in Photography, Falmouth University, Module 4, Sustainable Prospects
Crafting a meaningful methodology for one’s practice consumes thinking time and absorbs much research time, in an effort to reach the aspirational refinement.
I am now, at least for the present, satisfied that I have considered my approach, methods and output to be able to encompass it within a narrative that describes a conceptual proposition; a framework to think, research and image make.
I am particularly pleased to have uncovered a musical notation which offers both a terminology and an adopted symbology; fermata.